My Aurifil Artisan Challenge this month was an invitation to make something wearable. And as soon as I read the prompt, I knew exactly what I wanted to create.
I’ve had the Tamarack Jacket pattern by Grainline Studio on my to-make list for years. There’s something about turning a quilt into something wearable that feels magical—like you’re wrapping yourself in creativity, texture, and care.
This project gave me the chance to combine some of my favorite things: soft woven fabrics, rich Aurifil threads, thoughtful finishes, and a pattern I’ve admired forever.
A Closer Look at the Materials
The outer layer of the jacket is made from Sprout Wovens in Rose Clay by Fableism—a warm, muted pink with a hint of terracotta. It reminds me of sunbaked clay, rose petals pressed between book pages, or that cozy kind of neutral that still feels soft and soulful.
For the lining, I used Foraged Garland Three by Bonnie Christine for Art Gallery Fabrics—a big floral print in soft pinks, honey, and peach that reminded me of a tucked-away spring garden.
I quilted the whole cloth sandwich with a layer of cotton batting using my longarm, stitching the fabric with Aurifil 40/3 weight thread in Muslin 2311. The pantograph I chose was Boho Birds by Sew Shabby Quilting—a whimsical design that added movement and texture to the jacket-to-be.
If you're planning to make a quilt coat of your own, make sure your quilted whole cloth panel is at least as large as the fabric requirements for your jacket size.
Construction and Binding Details
Once the quilt was finished, I cut out the pieces for the Tamarack Jacket and stitched everything up using Aurifil 50 weight thread in Muslin 2311.
But where I really let myself slow down and savor the process was the binding.
I used Camp Gingham in Graham by Fableism and stitched it around every edge—cuffs, pockets, hem, and neckline. First by machine, and then by hand with a blind stitch using Aurifil 80 wt in Cinnamon 2155. I added visible big stitch binding in Aurifil 12 wt in the same rich cinnamon tone—to give it that handcrafted, textural finish I love so much.
The final touch - Antique Bronze metal snaps that offer just the right amount of contrast and vintage charm.
Why I Loved Making This
There’s a quiet kind of joy in making something you’ll actually wear. It’s one thing to wrap up in a quilt, and another entirely to wear one out into the world—I'm thinking denim shirt and jeans, with the inside floral fabric peeking out at the cuffs.
Every time I put this jacket on, I feel like I’m carrying a story with me. And I think that’s the heart of quilting, isn’t it?
Would I Make Another?
Yes. A thousand times yes. I already have ideas swirling for a version with patchwork on the outside, maybe some naturally dyed fabric, and little pockets for treasures.
I think that’s the beauty of sewing something wearable—you finish one and immediately start dreaming of the next.
✨ Project Details
Pattern: Tamarack Jacket by Grainline Studio
Exterior Fabric: Sprout Wovens in Rose Clay by Fableism
Interior Fabric: Foraged Garland Three by Bonnie Christine for Art Gallery Fabrics
Binding: Camp Gingham in Graham by Fableism
Closures: Antique Bronze Metal Snaps
Batting: Cotton
Pantograph: Boho Birds by Sew Shabby Quilting
Threads by Aurifil:
– 40/3 wt in Muslin 2311 (longarm quilting)
– 50 wt in Muslin 2311 (construction)
– 80 wt in Cinnamon 2155 (hand blind stitch)
– 12 wt in Cinnamon 2155 (big stitch binding)
Have You Ever Worn a Quilt?
If you’ve ever dreamed of making a quilted jacket or wearable quilt project, I’d love to hear about it. DM me on Instagram (@RemiVailStudio) with your favorite pattern!
Thanks for following along with this month’s Aurifil Artisan project. I can’t wait to wear this one all spring.
And if you end up making a wearable quilt of your own, please share with me on Instagram by tagging me @RemiVailStudio and using the hashtags:
#RemiVailStudio | #RemiVailStudioPatterns
I would love to cheer you on. ;)
🧵 Happy sewing,
xo,
Tamara

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